“The third movement of Bach’s Brandenburg Concerto No. 3 is a test of string texture, which should be light but lively on the hybrid multichannel SACD featuring Masaaki Suzuki and the Bach Collegium Japan (which includes all six of the concertos as well as the Four Orchestral Suites). As I played through Brandenburg Nos. 3, 5, and 6, the Dômes resolved the string texture just as a good set of planar headphones would, with the addition of surround sound and in-room ambience, of course. They also captured the plucked-string delicacy of Suzuki’s exhilarating solo harpsichord passage in Concerto No. 5.