But while Klipsch’s two pairs of stereo speakers are competent, a few moments of music playback highlights some questionable timing and a somewhat muted dynamic reach. It doesn’t stick out unduly during a film, however, our main gripes concern those units built specifically for the purpose of cinema.
The R-100SW sub and R-34C centre appear sonically detached, as if reading from different hymn sheets. With the former, it feels like those rumbling low frequencies are being puffed out rather than punched. It’s a woolly presentation that makes it seem as though there is a gap in the frequencies that the sub and floorstanders are capable of. Longer listening highlights more of a conflicting presentation that makes the R-100SW stick out.”