Archive for category Subs

REL T/9I SUBWOOFER REVIEW

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“Staying with the counter intuitive, you should do this more considered setting up procedure even if the sole purpose of buying the subs was to satisfy your basshead desires. Ultimately the REL T/9i duo are bringing more bass to the system, but they are also bringing control; so those deep bass notes will have more energy, more clearly defined ‘shape’, and greater texture. OK, so you will probably end up with the subs set higher than most people, but going through the process is rewarding and produces a better bass than simply turning everything up to 11 and judging bass by the number of loosened screws and evacuated bowels.”

 

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Using The SVS PB-16 Ultra Subwoofer App, PEQs, And AVR Distance Settings (Room EQ Wizard)

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JL Audio Dominion d110 Subwoofer Review

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“I’m not sure what Taylor Swift has more of: No. 1 singles or ex-boyfriends. Regardless, she knows how to write engaging music, and “Blank Space” is no exception. The song has an airy feel to it and harks back to the year in the title of its host album, 1989, with a synthesized beat that draws you in from the first note. But when the young lady starts to sing, the bass track kicks hard—really hard—and again, the d110s shined brightly. The bass response was tight and articulate, and it didn’t linger in the room for even a moment longer than it was supposed to. Impressive would be an understatement.”
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RSL Speedwoofer 10S Subwoofer Reviewed

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“Satisfied that the Speedwoofer 10S could handle the deepest depths of pretty much anything in my musical collection, I set my sights (well, my ears) on the upper end of its output range with the track “Roses” from OutKast’s Speakerboxxx/The Love Below (Arista), which features a pretty hard-hitting bass line with plenty of energy between roughly 60 Hz and just about 100 Hz. In other words, its bottom end tiptoes all over the crossover point between the subs and sats, making it a great track to test the upper end of a sub’s output. Here, too, the Speedwoofer 10S lacks for nothing, delivering not only the visceral slam of that undulating bass line but also the nuance that’s sometimes lost with larger subs.”

 

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Triad InWall Bronze/4 SlimSub – Video

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REL S/3 SHO subwoofer review

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“The fire-fight shots around the night-club swimming pool in John Wick proved this point, and the S/3 SHO was equally good romping through some older favourites, like the Atmos-remastered The Fifth Element and space drama Gravity. While the latter film lacks a constant soundtrack of bass, the sound designers use LFE to subtly underpin effects and atmosphere. The REL’s superior tautness and articulation is in evidence here, adding that extra dimension to the aural mix without sounding disconnected. And if you regularly listen to music on your system with a subwoofer in play, those attributes translate into beautifully poised and eloquent bass augmentation.”

 

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Syzygy SLF-850 Subwoofer Review

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“The short story is that the SLF850, both singly and as a pair mates flawlessly to all three of these combinations. In single woofer mode, the SLF850 was placed just slightly off center of the main speakers (all three) back against the rear wall in front firing mode. Thanks to the fine tuning allowed by the app, there were no issues at all integrating the SLF850 into the system and for the most part, if I were in a smaller space, I could probably get along just fine with one woofer.”

 

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